From a paragraph
to a launch film.

A master MP4 at 1920×1080 or 4K, 24–60 fps and 3–180 seconds long, plus a web MP4 for sharing, a sound-free cut for platforms that add music in-app, and credits listing every asset, font and song with its licence. The checkpoint material (stills, test clips, shot list, beat map) stays with the film.

Before the full-quality render, the director stops and shows you stills, test clips, the shot list and the beat map, with a message listing any substitutions and rights notes. You approve, or request changes and it comes back with a new checkpoint. A film waiting for review closes after 90 minutes without a reply, and you get a reminder 15 minutes before. If you’d rather skip it, choose “Approve in advance” when you start.

Yes. Open the revision editor, pin notes to a moment or a region of the frame, edit on-screen text, swap a shot’s asset or nudge a cut by a beat, and submit. The director applies your notes and the result arrives as the next version, which you can compare side by side with the last. You can also duplicate the brief as a new film.

No. There is no timeline editing and no motion-design software to learn. You write a brief, either with the guided form or in a full markdown editor, and make decisions at the checkpoint. The revision editor collects what you want changed; it never edits pixels in the browser.

16:9, 9:16, 1:1 and 4:5; 1080p or 4K; 24, 25, 30, 50 or 60 fps; and 3 to 180 seconds. Cinema bars are a style you describe in the brief. If your footage is 25 fps, pick 50 rather than 60 so it doesn’t stutter; the composer warns you.

Yes. Owners and admins manage the team, editors make, review and approve films, and viewers can see everything and comment. Only editors and above can start, approve or cancel a film.